The oldest films on the list are old enough to belong to everyone. Of the 18 released before 1931, 9 could be found and cleared — they run here, 1900 to 1930, with one reel of raw archive footage, every frame in the US public domain and streamed straight from the Internet Archive with its paperwork attached. The earliest are not fiction at all: a tripod set down in the wreckage, eight days after the storm. Then the studios noticed what a crowd will pay to watch.
9 films from the dataset1 reel of adjacent archive footage9 films searched & not cleared — see the paperworkHouse lights down ↓
· House lights down · every clip is muted until you ask ·
Walter R. Booth wrecks two model trains on a mountain ledge — the oldest staged catastrophe in the dataset, forty-eight seconds of engineered calamity.
On screen — Model trains meet head-on beside a tunnel mouth; carriages tumble down the slope. Silent picture — no soundtrack exists.
Eight days after the deadliest hurricane in American history, an Edison crew set a tripod among the debris of Broadway. Disaster cinema before anyone thought to invent it: the camera simply arrived.
On screen — Work crews pick through the wreckage of the Galveston hurricane, September 1900. Silent actuality — no soundtrack exists.
Not on the film list — raw reels from the Prelinger Archives. Refugees, tent kitchens and freestanding chimneys: the same catastrophe at street level, unedited.
On screen — Displaced residents and ruined buildings; the original print jumps and rolls. Silent actuality — no soundtrack exists.
Internet Archive · SanFranc1906 · tagged CC Public Domain · Released 1906; US public domain — published before 1931.
The dataset’s first earthquake: actuality reels shot in the smouldering weeks after 18 April 1906, cut together from the footage that survived.
On screen — Pans across ruined San Francisco streets, toppled facades and burned-out blocks. Silent footage — the score on this transfer was added by the compiler.
Winsor McCay spent nearly two years drawing the torpedoing of the Lusitania — some 25,000 drawings. The first animated documentary, and still furious.
On screen — Animated re-enactment: the liner steams into frame, the torpedo strikes, the ship goes down by the bow. Silent picture — any sound on this transfer is an added score.
Internet Archive · the-sinking-of-the-lusitania-1918 · tagged Public Domain Mark 1.0 · Released 1918; US public domain — published before 1931.
Michael Curtiz, two decades before Casablanca, burns a biblical city with thousands of Viennese extras. The oldest divine judgment on the books.
On screen — Fire rains on the city; crowds flee through collapsing colonnades; the ruins smoke. Silent picture — any sound on this transfer is an added score.
Internet Archive · silent-sodom-und-gomorrha · tagged no license tag · Released 1922; US public domain — published before 1931.
Lillian Gish takes the veil; Vesuvius objects. A romantic melodrama that settles its third act with an eruption and a burst dam.
On screen — The climax: the volcano erupts, the dam gives way, and tinted crowds evacuate into the smoke. Silent picture — any sound on this transfer is an added score.
An Internet Archive license tag is a claim, not a clearance — the same search that found these reels also returned a 1989 documentary tagged as public domain. So nothing here shipped on a tag. Every clip had to pass all four tests: released before 1931, which makes it US public domain by age in 2026; an item date that corroborates the release year; no YouTube rips or trailer-dump collections; and a playable file. License tags were recorded as supporting evidence only.
The dataset holds 18 films released before 1931. Nine cleared. Nine did not — they are listed below, because what was left out is as much a part of the method as what got in. Famous “public domain” disaster titles from later decades (Night of the Living Dead, The Last Man on Earth…) are lapsed-renewal cases that need title-by-title verification, so none of them appear here.
The other nine pre-1931 films in the dataset, and why they are not on this page.
Oil Gush Fire in Bibiheybat1898 — No archive.org item found.
The Oil Gush in Balakhany1898 — No archive.org item found.
The Launch of H.M.S. Albion1898 — No archive.org item found (the surviving print is held by the BFI).
The Launch of HMS Albion at Blackwall1898 — No archive.org item found (the surviving print is held by the BFI).
Torment1924 — No archive.org item found.
The Last Days of Pompeii1926 — Only the 1913 Italian version is on archive.org — a different film than the dataset’s 1926 entry.
The Sea Beast1926 — Search returns only the unrelated 2022 animated feature, its trailers, and a scanned souvenir programme.
Tramp, Tramp, Tramp1926 — The only match ("tramp_tramp_tramp_1926") is a Fleischer sing-along cartoon of the marching song, not the Harry Langdon feature.
Volcano!1926 — No archive.org item found.
Specific archive items turned down (10)
johnstown-flood-1989-charles-guggenheim — A 1989 documentary tagged CC0 — the tag is evidence the metadata is wrong, not that the film is free. Fails the age test by 58 years.
tramp_tramp_tramp_1926 — Identity failure: a Fleischer cartoon (c. 1924), not the 1926 Langdon feature the identifier implies.
madamSatan30 — A single scene ripped from YouTube (file is a youtube download); the full 1930 feature exists in a cleaner item.
the-johnstown-flood — Same 1926 film, but the transfer is an off-air recording with a TCM logo burned in. Used as corroborating evidence only.
Sinking_of_the_Lusitania — Same 1918 film, but tagged CC BY-NC-ND — a spurious restriction on a public-domain work. Preferred the PD-marked upload.
san-francisco-earthquake-1906-in-color — Modern AI colorisation of 1906 footage — a new creative layer with unclear status. The plain footage ships instead.
noahsark1928 — Same 1928 film as the accepted item, but a single 3.2 GB MPEG4 with no streaming derivative.
madam-satan-1930_202601 — Same 1930 film, but a 2.4 GB transfer with no streamable derivative; the accepted item has an archive-generated h.264.